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Written by JohnGellei
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Wednesday, 09 December 2009 |
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Propellerheads have had their flagship drum samples manipulator, Redrum, included in the last few versions of Reason, and it's been a hit in the music production universe. Anybody using Reason will attest to this.
by JohnGellei
Propellerheads have had their flagship drum samples manipulator, Redrum, included in the last few versions of Reason, and it's been a hit in the music production universe. Anybody using Reason will attest to this.
There are ten drum channels in one instance of Redrum, each one with multiple modulation filters and options, such as velocity and panning. Along with panning, another regular is the level rotary knob, which simply controls the level or volume. You can mix and match the volume of all ten drum samples until you have a good internal balance. The master level then controls the volume of every drum sound inside Redrum as it pertains to the global project as a whole. What a great way to mix micro and macro with such ease, huh?
One of the most useful options present in each and every channel strip is the Length control, which can trim the tail off long samples and shorten any other samples to the extent you want. I've found this really helpful when modulating hi-hats and snares. These drum samples sometimes don't get to the point as quick as one might like, so this is one possible use for this control.
Another option that is instantly useable is the Pan option. You can pan each of the drum samples differently, achieving a great horizontal mix within seconds, regardless of the set of drums you're working with. This is another great thing about Redrum in general - everything is instantly viewable and modifiable. You don't need to trudge through a hundred menus. However, people that have not used Reason as an environment before may get confused with the interface to start with.
Picking out sample after sample can be a very boring and mundane task. Wouldn't it be easier if somebody had already picked out a whole bunch of samples that go great together? Well, set your faces to stunned, because Reason includes more than a hundred different soundsets for Redrum. All the drum samples included in these Refills are chosen for their coherence. So you will rarely venture outside of these sound-packs looking for other samples. You can practically get to work right away! Focusing on the music and not sample selection can be great for creativity. Nothing is worse than spending thirty minutes looking for drum samples!
One last thing about the Redrum interface that we have not touched on is the drum samples sequencer. It is laid out in step fashion which is very intuitive. Since you are never able to see and compare the entirety of device-specific tracks at the same time, you will be forced to listen with your ear and only make decisions on a sonic level. This is absolutely great for training the discerning musician and audio engineer in you. Redrum works very well to provide you an overview of the way things work in the real world.
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